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VIBRANT VOICES-WHIMSICAL WOODWINDS-TUNEFUL MELODIES AND A MIRACLE TOO!!!
From the first reedy sound of the oboe mimicking the shepherd pipes to the first vocal notes by Rosemary Kuhlman (Amahl's mother) calling for Amahl to come inside, to Amahl's crystal clear boy soprano (Chet Allen)response, we are drawn into the musical story of a little crippled boy and his own personal miracle.
If no one had heard of Gian Carol Menotti prior to this work, as of Christmas Eve, 1951, most of the country became aware of him. He had, in fact written several successful operas before this one, but the medium of television really was a great boost to the success of Amahl.
I have mentioned already the two main leads, but the other four singers fulfilled their specific roles in a very skillful manner. I particularly liked the voice of Andrew McKinley, tenor, who really projected the part of a rather silly and far-out slightly deaf Kaspar wonderfully well! The Chorus of Shepherds and Villagers sang the very attractive choral music in an up-beat manner and the Orchestra handled the accompaniment, which for the woodwinds was rather difficult, perfecto! While Menotti supervised all of the proceedings, Thomas Schippers pulled it all gloriously together. This is a landmark recording, and certainly a collectible.
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Having seen the original TV production of Amahl as a kid, I have very fond and tender memories of this story, and I find the music to be absolutely delightful - profound but in a very accessible and somewhat playful way. This recording brings back the spirit of Christmas to me instantly!
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Giancarlo Menotti slipped peacefully to his rewards recently after having composed some of the finest music of the last century. Although an Italian native, his ability to place English words in his vocal works in exactly the right places to allow singers their best production, he is still not performed often. His story lines are always poignant, whether for opera or ballet and his orchestral works strike at the emotional heart of the listener while giving the performers great opportunities to shine. His Christmas opera, "Amahl and the Night Visitors" was first telecast with a brilliant, wonderfully cast and directed group of singers and dancers and was an immediate success, scheduled to be repeated the following season. Only one copy of the tape was stored and, incredibly, was "accidentally" erased, before the second telecast. It was necessarily recast in the role of Amahl, since the first young boy's voice had changed. This is the result of that recasting, with the rest of the amazing singers and new boy recreating a blessed and beautiful masterpiece. I regret that the same care was not given to the visual aspects in the second, hastily produced telecast.
In my opinion, this creation should be lovingly produced every year!
I am a grateful singer of his works.
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I grew up listening to this operetta and it was so exciting to find it again and make it a part of my family's traditions. This is an excellent recording.
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It's as good as I remember from my own childhood, and I was AMAZED when my 5 year old son DEMANDED to hear it over and over on our recent trip to Minnesota. Now, weeks after we've packed away our Christmas CD's, my son STILL sings out from the other room "Mother! Mother! Mother come with me, I want to be sure that you see what I see!" whenever he wants to show me something. I'm glad that such a wonderful piece of our culture has been woven into the consciousness of yet another generation.
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